She reached home in the evening. She thought to find her father in his study. But they told her that, now, he usually sat alone in the great drawing-room. She opened the door softly. The room was dark save for a flicker of firelight; she could see nothing. Nor was there any sound. Mr. Folk was a well-known artist. He lived in Paris. “You are wonderfully like your mother,” he told Joan. “In appearance, I mean,” he added. “I knew her when she was Miss Caxton. I acted with her in America.”!

“Oh, don’t come the kid,” advised Flossie. “If you don’t mind being talked about yourself, you might think of him. If Carleton gets hold of it, he’s done for.” They both laughed, and then shot a guilty glance in Flossie’s direction.

Mrs. Phillips was asleep. Joan seated herself beside the bed and waited. She had not yet made herself up for the day and the dyed hair was hidden beneath a white, close-fitting cap. The pale, thin face with its closed eyes looked strangely young. Suddenly the thin hands clasped, and her lips moved, as if she were praying in her sleep. Perhaps she also was dreaming of Gethsemane. It must be quite a crowded garden, if only we could see it. “A nation works on its stomach. Underfeed your rank and file, and what sort of a fight are you going to put up against your rivals. I want to see England going ahead. I want to see her workers properly fed. I want to see the corn upon her unused acres, the cattle grazing on her wasted pastures. I object to the food being thrown into the sea—left to rot upon the ground while men are hungry—side-tracked in Chicago, while the children grow up stunted. I want the commissariat properly organized.” “I wonder how many of my ideals will be left to me,” sighed Joan. “I always used to regard the Press as the modern pulpit.”